Our data indicate that OT is necessary for the normal development of social memory in mice and support the hypothesis that social memory has a neural basis distinct from other forms of memory. Treatment with OT but not AVP rescued social memory in Oxt −/− mice, and treatment with an OT antagonist produced a social amnesia-like effect in Oxt +/+ mice. Spatial memory and behavioural inhibition measured in a Morris water-maze, Y-maze, or habituation of an acoustic startle also seemed intact. Measurement of both olfactory foraging and olfactory habituation tasks indicated that olfactory detection of non-social stimuli is intact in Oxt −/− mice. We found that male mice mutant for the oxytocin gene ( Oxt −/−) failed to develop social memory, whereas wild-type ( Oxt +/+) mice showed intact social memory. Pharmacological studies indicate that AVP administration may enhance social memory 8, 9, 10, whereas OT administration may either inhibit or facilitate social memory depending on dose, route or paradigm 1, 11, 12, 13. Brain oxytocin (OT) and vasopressin (AVP) seem to modulate a range of social behaviour from parental care to mate guarding 7. Researchers have operationally defined this memory by a reliable decrease in olfactory investigation in repeated or prolonged encounters with a conspecific 3, 4, 5, 6. Today, his work is regularly supported by big names in house music like Jamie Jones, Nina Kraviz, Marco Carola, Paul Johnson, Claude VonStroke… He frequently appears in the charts.The development of social familiarity in rodents depends predominantly on olfactory cues and can critically influence reproductive success 1, 2. In the end, his goal is to produce tracks that sound different from each other. He challenges himself on every new track with different recipes. He satiates his hunger of knowledge through research of new sounds, with his impressive studio gear collection. When Sirus Hood isn’t on the road, he spends most of his time in his ‘laboratory’ like a scientist to his music. From Europe to South America, from Australia to South Africa, Russia to North America, passing by the Middle East, his travel patterns underline his ability to work with different crowds and cultures while illustrating his cosmopolitan, universal side. ‘Mood Edits’ is repeatedly supported by the heavy weights of the scene like The Martinez Brothers and Loco Dice.ĭJ residencies in Sankeys Ibiza, Eden Ibiza, Ministry Of Sound in London, Social Club then Showcase in Paris gave him a platform and opened doors to wider audiences all around the globe. He had this idea after realizing that in a world where a lot of DJs or listeners are digging rare cuts, the biggest problem of music nowadays is that it is too available. In 2020, his release “Rip Tide” EP on Jamie Jones’ legendary label Hot Creations marked a major step forward to his career.įew weeks later, Sirus Hood launched ‘Mood Edits’ on Bandcamp with Manda Moor, a concept of limited series of edited tracks available during a month and then deleted to be replaced by new volumes. Sirus Hood also released on labels like Rawthentic, Cajual, Sola, Wow!, Under No Illusion. Sirus Hood first releases on CUFF including “Welcome To The Hood” EP in 2014 and Dirtybird including “Third Eye” EP in 2016 kickstarted his name. His music is influenced widely from the 80-90s’ Chicago House movement from warehouse & loft parties to the whole Balearic sounds of Ibiza. Once these foundations were built he opened his socials with an instantly huge response from the public. The journey continues, as he started to become a self-taught producer, preparing his new project under the name that we know today: Sirus Hood.Īfter refusing to do social media when the project started, he insisted on building his audience purely through the music and word of mouth first. He quickly became a regular DJ at every Parisian club. Few years later, he moved to Paris, and started his DJ career age 18 when he purchased his first vinyl turntables. Age 10, his love for House Music was at the time fed by his older friends, giving him mixtapes recorded in a legendary club in Algiers.
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